23 & 24 October 10.30-12.00



In dialogue with the group that’s in front of her, Lisbeth offers a variety of tools to improve your improvisation skills in order to refine your own dance material and capacities to create movement in a very personal way, beyond the limits of imagination. Lisbeth’s innate enthusiasm facilitates an open atmosphere — everyone is welcome.

Lisbeth Gruwez (1977) is a Belgian dancer and choreographer, half of Voetvolk’s artistic team. She started practising classical ballet at the age of 6 and studied at the Royal Ballet School Antwerp, combining high school with a professional dance education. Once graduated, she joined P.A.R.T.S. (Brussels) to study contemporary dance.

In 1999 she started working with Jan Fabre, being part of his guerriers de la beauté. Having performed in As long as the world needs a warrior’s soul (2000) and Je suis sang (2001), she rose to international fame because of Quando l’uomo principale è una donna (2004), the solo Jan Fabre created specifically for (and with) her.

Apart from working with Fabre, she also collaborated with Ultima Vez, Jan Lauwers, Grace Ellen Barkey, Riina Saastamoinen, Sidi Larbi Cherkaoui, Arco Renz, Juliette Lewis, Dirk Braeckman and Peter Verhelst, amongst others.

In 2007 she founded Voetvolk, together with Maarten Van Cauwenberghe. Their work is an ongoing conversation between corporal and auditive movement, in order to achieve a symbiosis between the aural and the visual/physical.

This class is free for professional dancers.

Lisbeth shows her work The Sea Within at Dansens Hus on October the 26th.